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Elements of Wind and Wood

 

 for Woodwind Quintet

Composed 1990, drastically re-written May-June 6 2004
Duration: about 15 minutes 30 seconds


 

(live recording of a rehearsal) Erik Gratton, flute; Roger Wiesmeyer, oboe; Lee Levine, clarinet; Radu Rusu, horn; Gil Perel, bassoon,  Nov. 2005


MP3 recording     WAV recording


   Full Score, PDF         Cover       Parts

I. Prelude, Moderato latino     
II. Relaxed [total 11:10]     
III. Don't Run Out of Breath [4:20]  
 

     


              In 1990 I wrote several works for my friend Fred Robinson who was the composer/arranger at Warner Robins Air Force Base in Georgia. Among these was a work for jazz band (The Popular Music of Planet X), a movement for brass quintet, and a short woodwind quintet. The Air Force didn�t seem to appreciate the effort, and the score and parts were returned. (When you bomb with the Air Force�.you REALLY BOMB!) 
          In 1991, all of my scores were thrown into the landfill by my landlord as I was led off to five years in prison for LSD. I didn�t get back to composition until 2003. By then I had collected many scores from several musicians in pristine condition, as they had never been performed. Then in 2004 I went back to most of these scores, and I completely rewrote this woodwind quintet. My uncle, David Vanderkooi, lives in Nashville, and at the memorial service there for my mother Frances Westman in 2005  I met his friend oboist Roger Wiesmeyer. He was kind enough to get other members of the Nashville Symphony together to perform Elements of Wind and Wood that November. However, I was unable to get to Nashville for either rehearsals or performance. I was sent a sample recording of a rehearsal to review. It was significantly too fast in the second and third movements, but I used Sonar to slow down the music and make a fresh recording. As there was a mistake in the horn part in the first movement, the recording was not together for a bit in that movement.
          Unfortunately, Roger�s laptop was stolen after the performance, and it held the only copy of the recording of the performance. As a result, all I have for now is the digitally massaged rehearsal tape posted here. I am hoping that a woodwind quintet will perform and record this piece before too long so that I can present a more polished version, as well as a video.
          Sometimes life is not so easy.