Chamber Concerto
for Piano and Small Orchestra
or Piano, Strings, and Timpani; or
Piano Quintet
First Edition, April
18--July 18, 2003; 2nd movement added March 15--April 25 2013.
Duration: about 24 minutes
Photo above: premiere
for *1) Piano and Small Orchestra Score
(PDF) Orchestral Parts Piano part
Cover
or *2) Piano , String Orchestra and Timpani Score String Orchestra Parts Piano part Cover
or 3) Piano and String Quartet Score String
Parts Piano part Cover
Recording is from Feb. 18 2014 concert of the
piano quintet version. Thomas Warburton, piano; Eric
Pritchard, Mary Kay Robinson, violins; David Marschall,
viola; Virginia Hudson, cello
I. First Movement: Allegro:
Presto: Allegro [6:56]
II. Something Old, Something New
Allegro Vivaldi
[5:08]
III. Ram Nam: Largo, Adagio Ram Nam [6:32]
IV. Rondo Recidivisto [5:39]
Most of the composition in 2003
was done in Ann Arbor Michigan using the facilities of the Music School of the
University of Michigan, while studying physics. The piano part in the first and
some of the third movement comes from the "Great American Piano
Concerto" of 1984 which has been withdrawn. Some ideas from the first
concerto also are in the last movement of the Chamber Concerto. The second
movement is a new arrangement of Vivaldi�s Concerto for Four Violins via
J. S. Bach�s arrangement for four harpsichords.
The original versions of this concerto are for
piano, string orchestra, and timpani, and also for piano quintet. In March
2007, a call came from Dorothy Kitchen to arrange the work for the forces of
the Duke University String School, which add to the strings and timpani a
flute, oboe, two clarinets, bassoon, and two horns. They performed the first
movement in 2007. The first edition of the string orchestra version was
premiered by Robert Ian Winstin and the Virginia Youth Orchestra in 2008. I
have been careful to keep the technical demands within the reach of good
amateur orchestras.
In August 2022 I made a new improved edition of
all the scores and parts; now all but the version for small orchestra score is
on letter-size paper. All documents are PDF files and are to be printed front
and back.
Musician
Biographies
Virginia Ewing
Hudson taught cello
and related subjects at Meredith College and taught Music
Appreciation at St. Augustine College. She co-directs youth
programs for both the Chamber Orchestra of the Triangle and is
director of Meredith's Live Oak Chamber Music Camp.
Hudson
has appeared as soloist with The Chamber Orchestra of the
Triangle, The Raleigh Civic Symphony and The Blue Lake Festival
Orchestra. She has performed as a chamber musician with The
Mallarme and Meredith Chamber Players and is a member of the
Triangle Quartet. Hudson has served as principal cello for The
Chamber Orchestra of the Triangle, The Opera Company of NC, The
Greensboro Symphony, The Raleigh Symphony, The Raleigh Civic
Symphony, The Blue Lake Festival Orchestra and The International
Music Program. She has also performed with the NC Symphony. Hudson
has studied cello with such luminaries as Robert Marsh, Lev
Aronson, Paul Olefsky and Colin Carr and chamber music with Josef
Gingold and Dan Welcher. She has been heard on radio broadcasts,
PBS, and various record labels.
She now lives and writes in New Mexico.
David Marschall
was a member of the North Carolina Symphony beginning in 1987, and was
was appointed Associate Principal Viola in 2007. Since 1990, he
spent his summers playing in the orchestra of the Santa Fe Opera. David
was a member of the chamber ensemble Quercus, and was a member of New
Music Raleigh, an ensemble dedicated to the music of living composers.
He performed on Bill Robinson�s 2012 concert at Duke, and the 2013
concert at Meredith College.
David has also served as Principal
Viola for the Baltimore Chamber Orchestra and the Columbus Pro
Musica Chamber Orchestra. He was a member of the New Orleans
Symphony, the Innsbruck (Austria) Symphony, the Des Moines Metro
Opera, and the Colorado Philharmonic. A native of Columbus, Ohio,
David studied first at Ohio State, and he received his Master's
degree from the Peabody Conservatory, where he studied with Karen
Tuttle. His viola was made in 2009 by Grubaugh and Seifert of
California. David's wife, Amy, teaches German and English at
Raleigh Charter High School, and they have two sons, Philip and
Owen.
Eric Pritchard
has taught violin and served as the First Violinist of the Ciompi
Quartet at Duke University since 1995. Formerly First Violinist of
the Alexander and Oxford Quartets, Mr. Pritchard has taught at
Miami University, San Francisco State University, City University
of New York, and the NC School of the Arts. He was winner of the
National Federation of Music Clubs Award in Violin as well as the
first prize winer at the London International String Quartet
Competition and the Coleman and Fischoff national chamber music
competitions. He has performed widely as a recitalist and as
soloist with the Boston Pops and orchestras in Europe and South
America. His major teachers were Eric Rosenblith, Josef Gingold,
Ivan Galamian and Isadore Tinkleman and he holds degrees from
Indiana University and the Juilliard School.
Mary
Kay Robinson, violinist, is a 1968 graduate of the
Juilliard School, where she studied with Dorothy DeLay and Ivan
Galamian. She studied chamber music with Felix Galimir, Donald
Weilerstein, Josef Gingold and members of the Guarneri String
Quartet. She furthered her education with studies with Glenn Dicterow,
Gregory Fulkerson and Gerald Beal.
Her first job after graduation was as violin instructor
at the University of Tennessee, in her hometown of Knoxville,
where she filled in for her former teacher, William Starr, who
was on sabbatical in Japan. She was a member of the University
of Tennessee String Quartet and later held a similar position in
the University of Maryland String Quartet.
She has
toured with Solisti New York and spent many summers playing with
the OK Mozart Festival, Grand Teton Music Festival, and
Bellingham Festival of Music. In 2008 she taught at Duke
University as well as maintaining a private studio. Also that
year, she performed Bill Robinson�s Sonata for Solo Violin #4
at Brevard, NC. She performed on Bill Robinson�s 2012 concert at
Duke. Bill has composed two pieces for her to play with her
husband oboist Joseph Robinson.
Tom
Warburton retired in May of 2005 after 36 years on the
musicology faculty at the University of North Carolina. There he taught a
variety of courses, both in music history and music theory; he
also received two teaching awards. He has published on a
variety of topics, several in recent years concerning music of the
United States during the twentieth century. For three years he
was organist at Trinity United Methodist Church in Durham and for
seven years he served as Minister of Music at First Presbyterian
Church, where he conducted the Adult and Handbell Choirs.